Back in the New York Groove!

Hello!
Remember them?
They were a fresh faced gaggle of British glam-rockers from the 1970’s who were on the cusp of Sweet-y campness and Status Quo denim laddishness, completely forgettable apart from one thing, their only major hit single. That was ‘New York Groove’, a Bo Diddley-ish vamp crossed with some vicious powerchords in the chorus that was goshdarn infectious, so infectious that it was even picked up across the broad Atlantic by those purveyors of comic book rock outrageousness, Kiss, and turned into a hit for them.
Ah, Kiss… during my tenure with Scottish band Close Action, who mutated (or should that be evolved? No, I’ll stick with mutated…) into Z-Rox and thence into The Cuban Heels, we had a roadie, Willie (The Worm) who loved Kiss. In fact, he was completely and utterly obsessed by them. Probably still is, for all I know. We even covered one of their tunes, ‘Do You Love Me’, in our live set. It was a dumb rock’n’roll song, but I actually kind of enjoyed performing it. There is nothing wrong with being dumb occasionally, especially in rock’n’roll. I also had a soft spot for the tune that went on about wanting to rock’n’roll all night and party every day, as of course that was a particular ambition of all of us cramped into our yellow Transit as we criss-crossed the country, and hang on, what about that other seminal classic ‘Crazy, Crazy Nights’.
What about it?
It sounded a little like a lobotomized Slade, that’s what. 
Back in the 70’s, I had a problem with Slade. That problem was that to the followers of the former Ambrose Slade I was one of ‘them’. You know, one of ‘those’ guys. The love that dare not speak its name… yes, a T.Rex fan! I envied someone like Steven Beaton who appeared able to like both Slade and T.Rex and get away with it, but then again he was built like a brick sh*thouse, so who was going to argue with him? As I matured (hah!) realization gradually dawned that actually yes, Slade were pretty good, and away from the hothouse of factional teenage angst that was Thurso High School you could actually celebrate diversity and individuality in equal measures – dammit yes, I’ll have a lager tops with a shot of blackcurrant and a dash of lime if you don’t mind please Sybil. Yes Billy, I will assist you in cleaning up my own vomit later… (those last two references will carry deep meaning for those frequenters of the legendary Sheiling Bar, Thurso, in the 70’s and 80’s…). Don’t get me started on vomit, or I may start dredging up memories of famous technicolour yawns of my Thurso past, such as the Marine Inn (‘no worries, it was only a mouthful.’ the classic comment from owner Roddy), the Central Bar (all over the bar… but it was a smaller bar in those days) and Jimmy Riddell’s Triumph TR7 (performed at approximately 100mph on Castlegreen Road both inside and outside the vehicle…sorry again Jimmy)…
Now that was a bit of a digression, wasn’t it? I guess what I really meant to say was ‘Hello’.
Again.
After a two year break (and a sideways step into another blog that didn’t last very long), I’ve come back to ‘Lost In Space’, and I will try to post more regularly about life here in Phnom Penh, Kingdom of Cambodia, and about the many things past and present, home and away, including (surprise!) a hefty dash of music, that make me smile, frown, get up and get down etc etc…
It’s nice to be back, and If I do wander off the subject from time to time, you will forgive me, won’t you…?
Won’t you?

(This post is dedicated to Mr. Ray Harryhausen, 1920-2013, a genius of his craft.)

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Willie and the Poor Boys

The late August rains are lashing the streets of Phnom Penh with daily downpours, the deluge ensuring that the streets still flood with almost reassuring regularity as the jagged teeth of the concrete skyline continue to push ever upwards, Gold Tower 42 now almost scraping the low grey clouds that scud across the precipitating skies. There are times it almost feels like I am back in (an admittedly much warmer) UK. More specifically in the dreich northern parts from whence I sprang more than fifty four summers ago…

That was pretty poetic, wasn’t it? Yes, it was a tad Sunday Post-ish, but no bad, eh? I’ve been thinking a great deal about my place of birth recently. I returned there in July, and it was still there, Thurso in all its glory, nestling under slate-coloured skies, drizzled with intermittent squalls of rain interspersed with sudden bursts of watery sunshine. In a word, summer! I had travelled north from Edinburgh on the early Sunday morning bus, briefly attempting to while the hours away by doing some work without reckoning on the cramped conditions and the parlous state of the battery on my Macbook rendering this ambition almost completely useless. I briefly felt one of those passing tingles of ‘Scottishness’ I experience from time to time as I mused that it was very appropriate to be using a Macbook here in Scotland, home of the ‘Mac(intosh – useful for rain (see ‘Scotland’))’. I pondered would it ever achieve and hold the same cultural significance as say a ‘See you Jimmy’ tam ‘o’ shanter and fiery red wig do in delineating outwardly that elusive quality that defines the Scot. Hmmm. I took another large bite out of my Tunnock’s Caramel Wafer and a swig of Irn Bru and thought, maybe not. Giant leaps of intellectual cogitation over, the remainder of the journey to Inverness was spent in a semi-conscious reverie gazing at the scenery whizzing past the coach and marvelling at the number of pictures of hills, braes, hillocks, scree and occasionally sheep that the couple seated in front of me were taking. This reverie was only interrupted by falling asleep and completely missing Aviemore. Damn. Since watching Aviemore hosting ‘It’s a Knockout’ in glorious monochrome on my Nana’s tiny TV set back in the heady early 70’s (I think…or may have been late 60’s??) the place has always held an allure to me comparable to say, oh I don’t know, let’s say Las Vegas. Or maybe Blackpool. But this time I missed it completely, waking just as we entered Inverness. I do like Inverness. Technically I suppose I still actually live there. But I literally had only two minutes on this occasion to elbow my way through a gaggle of American cruisers (that is, from a cruise ship, not predatory nighthawks in search of illicit thrills… although a few did look 1970’s type big moustache and baseball jacket threatening…) and catch the bus north, to the land beyond the split stane, to the craggy cliffs of Dunnet Head, scorries wheeling in a big sky over peat bog and ancient cairn, to the enchanted realm of Top Joe’s and the Commercial Hotel….

What I really did not anticipate on the trip north were the waves of nostalgia I experienced as we passed through my old stomping ground from my days as a semi-pro musician, and even further back to recall trips undertaken with my dad and mum, sisters and brother… incidents, memories, events from the past sprang unbidden into my mind, forgotten friends suddenly remembered, hours of travel in various forms of transport and in varying states of comfort suddenly remembered, fond thoughts of places and people flooding through me and suffusing me with a warm glow… a bit like Scott’s Porridge Oats actually…

The truth is that I actually enjoyed the trip very much, smiling like a mad chiel at all the memories pouring out, most joyous, some tinged with sadness, but all part and parcel of my experience of life. These places, the Golspie’s, Brora’s, Dunbeath’s, Helmsdale’s, they were all part of me…goodness, even Portgower, where I swear I have never ever seen a living soul during five decades of travelling through it… HP Lovecraft would have absolutely adored it. I even felt some minor feelings of something (possibly sympathy?) when I passed through Wick. Please don’t tell anyone that. This general feeling of warmth and well-being continued when I eventually got to Thurso… walking to my eldest son’s house that night I stopped in my tracks in the small alleyway beside a somewhat nondescript harled bungalow and its detached garage lurking on the cusp of the forebodingly stonily-monikered Granville Crescent. In the annals of my personal history this seemingly undistinguished abode was of a similar stature to the KaiserKellar in Hamburg, or the Wardour Street Marquee in London…. for this was Michael Houston’s old house, and in that very garage I had taken some of the first faltering steps in my life long obsession with punishing the human race through the power of song. I entered Michael’s garage as a 15 year-old speccy geek, and emerged from its nurturing chrysalis mere weeks afterward as a 15 year-old speccy geek who thought he was a hybrid of all the best bits of Marc Bolan, John Fogerty and Ray Davies…

As I stood there on that warm(ish) July evening, the years fell away, and I remembered a myriad of things that I hadn’t thought of in many, many moons…. The ‘Eagle’ DIY kit amplifiers from a mail order catalogue that powered our first forays into electrified rock, the sheer size and gut rumbling power of Steven Beaton’s bass rig (a 15 watt WEM…wow!), Michaels mum’s impressive shortwave radio doubling as our first PA system and their standard lamp as an impromptu microphone stand, Perce’s groovy poster adorning his bass drum skin (Stonehenge, I think…? We were Spinal Tap before they were Spinal Tap!)… the songbooks that provided our first repertoire (Best of The Kinks was one…probably worth a small fortune now on e-bay, my Marc Bolan book with the amazing George Underwood illustrations and all the impossible dots and boxes and swirls crawling across the pages that would translate into mystical music, if only I knew the code)… initial rehearsals in the front room in the house, and then as it dawned on Norma and Sinclair (Michael’s parents) that perhaps this wasn’t simply a passing fad, promotion to the rock ‘n’ roll nirvana of the garage.

My memory is not brilliant, so I can’t exactly verify the sequence of events following – perhaps some kind chap (Michael?) with less frazzled brain cells can provide a more accurate picture of events, but as I recall the core of the ‘band’ initially was myself on vocals (as no one else wanted the job), Michael on guitar and Steven on bass. Once he had established that we were indeed serious, one of our other friends, James Simpson, joined as second guitarist, spending his paper round money on a red Stratocaster copy and performing the extremely impressive feat of proving that Bert Weedon’s ‘Play in A Day’ guitar tutor did actually work… in fact, James proved it could be done in an evening…. oldest member (by a couple of years) Perce and his drum kit toddled along slightly later, but his influence on the band was infinitely greater than his rudimentary drumming – he introduced us to the wonders of John C Fogerty and Creedence Clearwater Revival. CCR stuff was insanely catchy, pretty cool and, crucially, mostly fairly easy to play, in our estimation. The bulk of the first set we worked up were mainly ‘three chord wonders’, CCR, Kinks, T.Rex and I believe Black Sabbath and Chuck Berry were in there also. Michael also owned a reel-to-reel tape recorder, and I seem to recall some early rehearsals being taped, and also vaguely recall hearing them some years later and wincing at how awful I actually sounded… in my head I may have been Bolan, Fogerty and Davies, but Larry the Lamb crossed with a strangulated Bryan Ferry better described the diminutive bleat that was my trademark at that time. At this juncture I have to point out the very real dangers inherent in being a T.Rex fan in Thurso at that time. Young heterosexual men in small town Scotland in the early 70’s were mostly cheerfully misogynist, racist and homophobic, truly ignorant of the importance of addressing these issues in forging tolerance and understanding for all. You can imagine then the reaction to a diminutive cross-dressing corkscrew haired pouting and glitter-enhanced pop star.

Yes.

Exactly.

Neil Barclay’s parents house bore witness to this upsurge of anger the night after Bolan and T.Rex performed ‘Hot Love’ on Top of the Pops, the bopping elf cementing his androgynous appearance with glitter smeared on his cheeks and under his eyes by his managers wife, Chelita Secunda, seconds before they rocked into millions of homes in the UK. Next night, Neil’s parents were away, so cue teenage party mayhem in the Barclay household. A certain local musician got so angry during a discussion on the merits of glam rock, and in particular on Mr Bolan’s make-up, that he punched a hole clean through the stairwell wall… I didn’t say much for the remainder of that night, I was rather keen on keeping all my teeth and my face intact…

So, let us pause at this point, dear reader, so you can catch your breath. Memories from those who were there in those heady times are more than welcome, real or imagined… part two, in which our heroes venture forth from the garage, blinking and wide-eyed into the cruel world of entertainment, will be along shortly…


Thought for the day

“… the kind of garage band who should be returned to the garage immediately, preferably with the engine running”

(Charles Shaar Murray, writing of The Clash live experience, 1977)

Yours Is No Disgrace

(WARNING – THIS BLOG CONTAINS REFERENCES TO PROGRESSIVE ROCK-READER DISCRETION IS ADVISED)

Warily yet wearily the four bedraggled little students made their way down the steep and leafy incline of Paterson’s Lane, their spirits lifting as they spied the multi-coloured brickwork of John’s house in the middle distance. John was John Farquhar, or as pronounced in the ‘ness, ‘Fracher’, and within that house was a wondrous loud stereophonic record player, upon which he would soon place his new-bought hallowed treasure. He would carefully place the dust bug in its required position, switch on electrical power to the unit then rotate the ivory bakelite dial to indicate 33 1/3 revolutions per minute, before carefully lifting the playhead into position, lowering the compatible stereo cartridge (perchance a Goldring G800?) onto the shellac disc rotating on the Garrard SP25 MkII record deck. Then the four would agree, yes, this will be worth skipping school for, before lying back in the semi-darkness of that room, deep within the bowels of that quaint split-level house, and allowing the music to flood over them in waves of sonic bliss, signals arcing from speaker to speaker, a mélange of guitars (lap steel! Stratocasters!) of bass, of keyboard washes, pounding tom-tom rolls, human heartbeats, Moog synthesizers, found voices and finally the eerie, weary, ennui filled tones of David Gilmour… “Breathe, breathe in the air…”

It really was like that. Today’s pop kids will never experience anything similar, oh no. There really was (still is, I fervently hope) a John Farquhar. And a Donald (Danny) Farquhar (his cousin, I think…). And a Donald McIntosh (‘Tosh, where are you now?). And a me. And we had skipped off school because John had bought ‘Dark Side of the Moon’, and his mum and dad were out, and they had a really good stereo system, and…

Guess what? I love music. For much of my life, child and adult, I have lived, eaten, slept and breathed music. I have even tormented countless thousands over the years with my attempts to perform music. To you, I now apologize unreservedly. However, the strongest attraction for me is still the recorded medium. Even now, a man who is over a half-century old, I become obsessed with particular bands or artists, labels or even sleeve artists. Ani bought me an I –Pod for Christmas. She jokingly (I hope) remarked the other night that it was the worst thing she could have bought me. Probably as I was completely immersed at that point in trawling the internet (do you think that’s why we say ‘trawling’, because it’s a ‘net’? I wonder…) to find jpegs of artists and record sleeves to upload to my pod (behold! I have the jargon!) for those tricky one-off or compilation things. Music is pretty much everywhere now, and is used to sell everything under the sun. I’ve now given up getting enormously annoyed at the hijacking of a classic track to sell soap powder or whatever, so it is good for me to reminisce about a time when that wasn’t quite the case, and ‘the man’ had not, like, completely turned us into, like, breadheads or worse…

The Famous Four music appreciation saga unfolded in the opening paragraph was by no means an isolated occurrence. Oh no. Group appreciation was one if the joys of being into music. Informal record clubs of all sorts proliferated amongst the wet flagstone streets of slumbery Thurso in the early part of the 1970’s. Occasionally these were simply evenings where one took it in turns to host a friend (or friends) to play them your choice of music, along with a guest spot for the album they would have brought with them. Much snobbery around the type of record deck/speakers/cartridges/stylus/dust removing paraphernalia used would take place (‘Oh. A Calotherm cloth. Hmmm. Personally I find that it can sometimes cause surface marking…’) Techniques for removing records from paper (or, god forbid, poly-lined – simply encourages static build up and therefore dust attraction!) sleeves without touching the playing surface would be appraised. The sleeves would themselves be studied as if ancient dusty tomes from the bowels of the National Library, carefully scrutinized for the meaning of the cover art, and how it linked to the music locked in the grooves… and then the music… protocol dictated listening in silence for at least one side, no matter how jarring or boring the experience was, before passing measured judgement upon the piece and its performers.

Colin Morrison, where are you now? Visits to Colin’s house were always interesting. He wasn’t really into pop music, he was much more cerebral. I had an extremely catholic taste in music, but sometimes Colin’s choices would stretch my tolerance level more than a little… Jukka Tolonen, anyone? However, thank you Colin for making me listen to Back Door. In these post-Morphine days I can appreciate much more a pre-punk instrumental Jazz-rock trio of bass, drums and saxophone. And his mum made a nice cup of tea. As did Eric Law’s. Nothing like a hot strong cuppa to help the synapses adjust to Aamon Duul, Tangerine Dream, Kevin Coyne, Van der Graaf Generator, Hatfield and the North… that sort of thing. You get the picture.. Eric was also probably the first person in the world to own a copy of Tubular Bells. I find it amazing now to reflect on how cutting edge we all (The navy greatcoat and mumbling brigade that is… not my skinhead friends, I have to say.) thought it was. His dad was an incredibly nice man who would often pop his head cheerily round the door to enquire after my health during the particularly grim passages of ‘dance of the lemmings’ or some such thing. Alan McPherson has previously received credit in this blog for his impact upon my life, but there’s no harm in another mention, is there Perce? Thank you for introducing me to Creedence and the 70’s Who, in particular. Then there were those who shared a particular obsession. Steven Beaton, David Moore and I were the three T.Rex fans in our High School class. That was a very dangerous thing to be in the early formative years of Glam Rock, as most chaps favoured the uncouth laddish glam of Slade. Kenny Cameron, a meenisters son, no less, used to give me an incredibly hard time about my obsession with hermaphrodite-hot-pants Bolan (©Record Mirror and Disc). Steven also favoured Welsh weed gobblers Man, for some truly unfathomable reason, and seemed to be the only person in Thurso with a John Kongos album.David and I would regularly quake in fear of being found by his dad using his incredibly state-of-the-art gramophone unit to play Tyrannosaurus Rex records on. It apparently was only designed to accept and play real music, i.e. classical. What untold damage did we cause to the valves and tubes by placing the woodland warbles of the bopping elf on its hallowed turntable…? David went on to have one of the coolest jobs in the entire world, senior lighting engineer for Top of the Pops…

Mr. Leon Volwerk was a history teacher who ran the Record Club at Thurso High school. Once a week we would gather in the upstairs music room to hear the chosen ones, the albums he had selected from those proffered by the spotty male longhairs who were the majority of attendees. Being able to only afford maybe one album a month at most, this was the opportunity to actually hear those things that one had read about and could only imagine in the days before decent radio signals reached Thurso. Black Sabbath ‘Master of Reality’, Deep Purple ‘In Rock’ (so exciting I actually ordered it from my mum’s clubbie book!) and the collected works of Jethro Tull, as Leon Volwerk, bless him, not only looked uncannily like Ian Anderson but also obsessed over him in much the same way I did over Marc Bolan. He never really liked my Pink Fairies ‘What a Bunch of Sweeties’ album much, ‘though…

It’s good for me to reminisce about what the world was like before punk, because to be honest the music that gets pigeon-holed into that pre-punk era of the 1970’s is often very unfairly done by. Every era has its bores (dare I say… no, I’d better whisper… Coldplay?) , but much of it was just as wild, wacky, out-there and funny as the tidal wave that swept through British music in the late 70’s. Its confession time now. Bless me Father, for I have sinned, it’s been a long time since I last confessed to this sin, Father…

Last night, a DJ saved my life. Ha Ha. Only joking. I’m afraid it’s worse than that.

Last night, I listened again to Yes.

Those of you who haven’t logged off in utter disgust by now, thank you for your continued support. I could blame the I-Pod (‘oh, you know it’s that shuffle feature. One never knows what will come up from that obscure compilation one downloaded months ago!’), but the sad truth is that I downloaded four tracks in the full knowledge that they were by Yes, and with the deliberate intention of listening to them. Which I did, last night.
The truth? I really, really enjoyed them, as I had done in the early 70’s. But where I (and John Farquhar, Perce, Steven… I’m not going down alone, you know…) had once scoured each subsequent Yes release for the cosmic portent invariably locked within, I now realized that that had been only part of the appeal of this much maligned band. They were so good because they were simply completely and utterly bonkers, out of their trees, tripping on Vishnu and vegetarianism, so far round the proverbial bend or corner that they were meeting themselves. Why play one note when you can fit ten in? Why should a guitar sound like a guitar? Why shouldn’t you sing lyrics that only a gnome that had received a serious blow to the medulla oblongata could decipher in a voice that suggested your favourite pastime was inhaling helium? Why not play your bass through a broken speaker so it sounds like a large over-amplified rubber band? Why bother with 4/4 time? Four technically staggering musicians and a crazy lad from Accrington invented this complex sound universe that does sound like they had been blindfolded and thrown into a big bag full of instruments and told to play as fast and as complex as they could because not only their lives, but the entire fate of the universe depended upon then achieving cosmic Nirvana. And by heck, they nearly made it. I truly believe that some Yes moments do stand alongside such wonders as the glacial distance of ‘Love Will Tear Us Apart’, the sound and fury of the Pistols in their prime, the eerie otherworldliness of the Only Ones, the righteous fire of the Clash…

The earphones hurt my tired ears, but by closing my eyes I can drift back into the last century, the years sliding away, ten, twenty, thirty… more… and I am back in John Farquhar’s house, in the curtained semi-darkness of the listening room, marveling at the sound of Steve Howe flicking his guitar pick against the strings behind the bridge of his Gibson, and how the sound hops through the air from speaker to speaker… track one of the Yes Album, ‘Yours Is No Disgrace’… then to end side one, the incredible build up to the closing part of ‘Starship Trooper’, ‘Wurm’ , an unfolding behemoth of sound that gets louder and louder before exploding into stereo tripping, guitar again leaping from left to right… to ‘Fragile’, and the architectural precision of ‘ Long Distance Runaround’, complex patterns fire off against each other with the rubberband bass of Chris Squire pulling the disparate components together… and finally… ‘Roundabout’. All hands on deck in dazzling form, and containing one of, if not the greatest, Hammond organ solos of all time. Rick Wakeman’s finest three minutes, pausing briefly to spar with the guitar before dancing to a conclusion where it almost sounds like he is cascading across the keys like a dazzling beer-blonde waterfall…

Pseuds corner may beckon, but dammit I still like Yes. And I’m glad I do. I will no longer hide how I feel about them, I now know that really I have nothing to be ashamed of.
Some wit once wrote a review of a Yes album which said, in its entirety,
‘Yes. No.’

I would have to disagree, with a double affirmative, on the rock – ‘Yes. YES!’

‘On a sailing ship to nowhere, leaving anyplace, if the summer turn to winter, yours is no, yours is no disgrace…’

Come on over to my house, I’ve a Gnidrolog album I really think you ought to hear…

Lonely Planet Boy

So it was Otis’ blessing and naming party on Saturday, and things went really well, I’m happy (and very relieved) to say. Friends, colleagues, monks, Chapei players – all showed up and played their important roles in what was a really wonderful day and one that I’m sure Otis will appreciate and marvel at when he looks back at the record of events that we made for him (book, video, photos – he’s one of the most heavily documented people on earth, I fear). The weather stayed dry, with, as Eric Olthwaite might say, the only precipitation occuring indoors – from the monks when they blessed him with water – he looked slightly startled for a moment, then very surprised when it then started raining not just water but also Jasmine flowers and sweets…) The food was excellent and plentiful, the mood was relaxed and happy and young Otis was looking particularly fetching in blue (accessorized at the party by flowers from the MAG ladies, who were queuing up to pose with him!) and behaved himself pretty much immaculately all day. He had not poo-poo-ed for nearly a week, so we had visions of apocalyptic floods of liquid slurry sweeping all before them as the little O decided to evacuate his bowels either at the blessing or the party, but no, bless him, he saved it all for Sunday…

I take back my comments in the last blog entry – the Chapei player, Master Pe, was an absolute gentleman and absolutely brilliant. I have to confess to leading you all astray when I said it was a 2-stringed instrument – it’s actually 3 strings, 2 of which are drones. The blind master had us all spellbound with his technique and the immense humor in his delivery – I have to thank Mr. Chhourn for translating ‘on the run’ for me. It was very humbling to be in the presence of a master musician, one who has been taught by ear, who has no concept of the formal structures we impose on music, yet who is so inherently musical.

 

The blessing was held in our house, and again I found it to be very profound and moving. When the monks began to chant I found myself flowing with the sound and becoming lost within it (no, I had not drunk any alcohol at this point). I am so pleased we decided to hold a celebration that brought the two cultures together in such a way to celebrate our wonderful little son, and we were so pleased that everyone said how much they had enjoyed the day. Happiness flowed as freely as the Asahi, all had more than enough to eat and drink, and the day ended with a philosophical argument (discussion?) between Uncle Dave, myself and Anita on radical feminism, which Anita won on points. Well, OK, she won on a TKO. Oh alright then, she wiped the floor with us, chewed us up and spat us out into the corner….

 

My beautiful (and long-suffering – you try living with me…!) wife and my beautiful little boy are en route to the UK as I write this, so you can expect the next few week’s postings to be maudlin, moping and full of self-pity (‘so what’s different?’, I’m sure you all ask) until I can  jet off to join them. I have been given a box set of ‘Heroes’ for father’s day from Otis, so I have plenty to keep me occupied until joining them in three weeks. Once I have ploughed through that I shall also probably revert to some serious watching of Cambodian television, which believe me is an unbounded joy and one that I feel I ought to share my musings on with the world… lets hide behind a tree, he said, enigmatically… maybe the next few postings won’t be quite so maudlin after all…

 

Listening to – Telegram Sam (T.Rex), Claire de Lune (Debussy) and Curtis Mayfield Anthology

Reading – the Coco Pops box

Favourite phrase or saying of the moment – ‘Pretentious? Moi?’