Back in the New York Groove!

Hello!
Remember them?
They were a fresh faced gaggle of British glam-rockers from the 1970’s who were on the cusp of Sweet-y campness and Status Quo denim laddishness, completely forgettable apart from one thing, their only major hit single. That was ‘New York Groove’, a Bo Diddley-ish vamp crossed with some vicious powerchords in the chorus that was goshdarn infectious, so infectious that it was even picked up across the broad Atlantic by those purveyors of comic book rock outrageousness, Kiss, and turned into a hit for them.
Ah, Kiss… during my tenure with Scottish band Close Action, who mutated (or should that be evolved? No, I’ll stick with mutated…) into Z-Rox and thence into The Cuban Heels, we had a roadie, Willie (The Worm) who loved Kiss. In fact, he was completely and utterly obsessed by them. Probably still is, for all I know. We even covered one of their tunes, ‘Do You Love Me’, in our live set. It was a dumb rock’n’roll song, but I actually kind of enjoyed performing it. There is nothing wrong with being dumb occasionally, especially in rock’n’roll. I also had a soft spot for the tune that went on about wanting to rock’n’roll all night and party every day, as of course that was a particular ambition of all of us cramped into our yellow Transit as we criss-crossed the country, and hang on, what about that other seminal classic ‘Crazy, Crazy Nights’.
What about it?
It sounded a little like a lobotomized Slade, that’s what. 
Back in the 70’s, I had a problem with Slade. That problem was that to the followers of the former Ambrose Slade I was one of ‘them’. You know, one of ‘those’ guys. The love that dare not speak its name… yes, a T.Rex fan! I envied someone like Steven Beaton who appeared able to like both Slade and T.Rex and get away with it, but then again he was built like a brick sh*thouse, so who was going to argue with him? As I matured (hah!) realization gradually dawned that actually yes, Slade were pretty good, and away from the hothouse of factional teenage angst that was Thurso High School you could actually celebrate diversity and individuality in equal measures – dammit yes, I’ll have a lager tops with a shot of blackcurrant and a dash of lime if you don’t mind please Sybil. Yes Billy, I will assist you in cleaning up my own vomit later… (those last two references will carry deep meaning for those frequenters of the legendary Sheiling Bar, Thurso, in the 70’s and 80’s…). Don’t get me started on vomit, or I may start dredging up memories of famous technicolour yawns of my Thurso past, such as the Marine Inn (‘no worries, it was only a mouthful.’ the classic comment from owner Roddy), the Central Bar (all over the bar… but it was a smaller bar in those days) and Jimmy Riddell’s Triumph TR7 (performed at approximately 100mph on Castlegreen Road both inside and outside the vehicle…sorry again Jimmy)…
Now that was a bit of a digression, wasn’t it? I guess what I really meant to say was ‘Hello’.
Again.
After a two year break (and a sideways step into another blog that didn’t last very long), I’ve come back to ‘Lost In Space’, and I will try to post more regularly about life here in Phnom Penh, Kingdom of Cambodia, and about the many things past and present, home and away, including (surprise!) a hefty dash of music, that make me smile, frown, get up and get down etc etc…
It’s nice to be back, and If I do wander off the subject from time to time, you will forgive me, won’t you…?
Won’t you?

(This post is dedicated to Mr. Ray Harryhausen, 1920-2013, a genius of his craft.)

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Hey Porter!

So, Porter Waggoner has died. He is credited (mostly by himself, it has to be said) as being the man who brought Dolly Parton to prominence. Prominence and Dolly Parton… what thoughts pass fleetingly through the mind, dear reader… send them away, they have little place in this particular missive. His rhinestone-encrusted besuited frame topped by the strange inverted triangle of his head and his extremely large ears (hang on… isn’t it strange that many male country singers – and Bryan Ferry – have larger than average ears…) are etched in my memory through the courtesy of RCA Camden and their range of budget LP’s, as sold in Woolies and as bought in large quantities by my Mum and Dad. We had several of their duet LP’s, and the material on those was pretty much your average (!) tearjerking country balladry, songs of orphans freezing to death in the snow, life’s great tragedies and of decent god-fearin’ folks snatched from the warm bosom of life way before their time. Classic stuff. Hallmark was another great label for country vinyl. Patsy Cline was a favourite in our house. My sister Pam can do an uncanny Patsy Cline impression. I really, really liked Patsy (and the Hank’s – Williams, Snow and Locklin. I found Red Sovine just a little too much to take, Jim Reeves – mmm, good singer but too much of a smoothie, although Bimbo’s a great tune… mind you, so is ‘This world is not my home’… time for a re-appraisal, I think…). I loved Marty Robbins, particularly ‘Gunfighter Ballads and Trail Songs’, home to the wondrous ‘El Paso’ and ‘Big Iron’, and anything by Johnny Cash (both CBS orange label – a tad more expensive!) and though I would never admit this to my Dad, I really liked his other main man, United Artist’s very own Slim Whitman. I think it was the fact that so many of his recordings sounded really spooky to me, like spirit messages filtered through a medium locked in an echo chamber with a steel guitar, and he looked amazing, really plastic and always soft focus, like an early version of Max Headroom. Boy, did I have an active imagination as a kid.

My introduction to country music came courtesy of my parents, when as a young child (maybe four or five years old) I received a red vinyl 78 of Roy Rogers singing ‘Red River Valley’, backed with ‘The Old Chisum Trail’ (my middle name is Chisholm, and my dear Nana’s family were Chisholm’s who had many émigrés in their history, so this set off fanciful flights of imagining about their role in the Wild West which I have recently found are much more accurate than I could have ever dreamed.). It was encased in an incredible picture sleeve, with Roy mounted on Trigger, his trusty steed (many years before he would literally mount Trigger – titter ye not, I mean upon a wooden plinth, stuffed and on display at his ranch) on the front. If Otis is the whitest baby in the world, then there is no doubt that Trigger was the whitest horse in the world. Even whiter than the White Horse whiskey horse, or the White Horses from the eponymous 1960’s children’s TV serial. Sorry, I’m diverging and digressing again. Lets get back on track… Roy Rogers… I really liked both songs, and at that time my heroes were pretty much either cowboys or spacemen, or my Dad, who I kind of imagined was Michael Rennie playing the role of a cowboy spaceman… which I suppose he did in ‘The Day the Earth Stood Still’ … now there’s an obscure reference to something coming up in this blog very shortly…

TV was full of cowboys, and my favourite was Ty Hardin from Wells Fargo. Ty didn’t go much for shootin’, oh no, he favoured pistol-whipping the bad guys, and usually being pistol-whipped in return. This was very unfortunate for my younger sister Vanda, who found herself the recipient of a particularly vicious pistol-whipping from her beloved big brother, copying old Ty. I don’t recall the exact details, but my mother remembers my disbelief that poor Vanda didn’t just get up right away, rub her head and clamber back into the saddle and ride off into the sunset, as Ty was wont to do, but had to suffer mild concussion courtesy of the Milky Bar Kid (me).

All this reminiscing is getting me misty-eyed with nostalgia, so while we’re on a roll, let’s carry on. Dan Dare, Yuri Gagarin (I far preferred the Russian cosmonauts to their American counterparts – Gagarin seemed such a cheeky and likeable chappie – and Russian spacecraft were way more interesting, almost Heath-Robinson-ish in appearance. Remember Lunakhod, the Russian Moon-rover? I swear that was a bathtub with wheels on it…), Quickdraw McGraw, Robert McGregor from across the road and his huge collection of glossy music magazines, so many, many formative influences… but let us fast forward to the point where my burgeoning obsession with rock music collided with the realization that country music was a very real part of the whole kaleidoscopic jigsaw… step up and take a bow Mr. Alan J ‘Perce’ McPherson, the man who introduced me to Creedence Clearwater Revival. Perce was a little older than my friends and I, and he had a record collection full of many strange and wondrous things, but none more wondrous than his Creedence albums. He also became the drummer in our first band, Paranoya.

We started as a ‘front-room’ band in my friend Michael’s house, before graduating to ‘garage band’ when we began to get a little too loud. I suppose we were a very early example of art-rock as we used found or everyday objects as part of our equipment. Michael’s mum’s big radio was our PA system; his front room lamp stand became the microphone stand. Guitar amplifiers were built from mail-order electronic kits (Kids! Why grow giant mushrooms in your basement when you can build your very own ‘Eagle’ crackling high voltage electric shock dispenser that also functions as a signal amplifier for only £8-3/4d!!), speakers resembling inverted Kleenex dispensers were constructed from Planika. Our bass player’s mum and dad obviously had more faith in him as they bought him a guitar, amplifier (15 watts! Yay!) and a strap, bag and cable (ironically he went on to be the bassist in a real country band…) I didn’t have a guitar at that point, or indeed a purpose to my life, so I drew the short straw of vocalist, which was a bit strange as I was at that time chronically shy. (Which is not to say that I am not still chronically shy, because I am, albeit in a slightly more extrovert way.) One of our original two guitarists who had previously shown little interest in music didn’t like the idea of being left out of this latest digression so he toddled off down to the Music Shop, bought a guitar and a copy of Bert Weedon’s legendary ‘Play In A Day’ and stayed up all night, effectively learning to play in half-a-day, returning the next day to stun us with his new-found expertise. As I recall, the first song we practiced (nobody ‘rehearsed’ in those far-off days) was a song by the Kinks called ‘Took my baby home’, which I believe none of us had actually heard at that time, we learned it straight from a songbook. Some years later I did get round to hearing the original, and our version was pretty close.

Well, reasonably close…

I wish I could find a set list, as my memory of those days is pretty hazy now, but I’m pretty sure we did more than a few Creedence numbers – ‘Don’t look now’ for certain, maybe ‘Effigy’… ‘Travelin’ Band’, ‘Lodi’, perhaps ‘Bad Moon Rising’ (also known as Bare Moon Horizon… does that mean anything to anyone out there reading this??). I think Michael may have made some reel-to-reel recordings of the garage sessions, but he may well be sitting on these (if they still exist) in the unlikely event of any of that little group of people becoming famous for whatever reason… (News just in – Thurso man blown up in Cambodian minefield – Legendary Garage Sessions tape to be released!) .
Jebus, I’ve been rambling a bit, haven’t I? I’ve completely lost track, so let me finish with a recommendation. Buy ‘Revival’.

Must admit, first time I heard the single (well, actually saw the video for it– I do hope John is being ironic, though I would kill for the painted western acoustic one of the kids is playing… ), I wasn’t sure… Now I am. Absolutely. The real John C Fogerty is back with a vengeance. It’s simple and direct, maudlin in parts (like the best country music), and it rocks like an unhinged mountain man high on moonshine driving his truck at 110 the wrong way down the interstate highway in others… and dammit, yes, it really sounds like Creedence. The last time Mr. Fogerty released anything this consistently great was around the time my Dad died, so the memories that flood through me when I listen to this incredible album are tinged with a little bit of that ole country sadness. Like we all do with the people who matter and who have gone from our lives, I really wish my Dad was still around. I would love to tell him honestly how much I really secretly liked his music, and the incredible effect it would go on to have on my life, but I do have some amazing memories.

We once went to see Carl Perkins and Bo Diddley play… I’ll never forget looking around during Bo’s set to see my Dad grinning from ear to ear and almost bopping around with the sheer joy of the music. Music is all about moments, and in that moment on the stage it was country meeting it’s best buddy, rock and roll, and up in the stalls my dad and I realizing that we weren’t really as different as we thought we were after all…

…so this one’s for you, Dad

Keep on chooglin’…