Memory of a Free Festival

‘…the sun machine is comin’ down, and we’re gonna have a party…

Elsewhere, Phnom Penh
Friday night in Phnom Penh, a city where the live music scene has yet to show the massive blossoming that the fine arts has over the last few months. But tonight we are in ‘ waiting for a bus’ syndrome land (is this a peculiarly British way of putting this? – please ask if you don’t understand). In a city where one or two gigs a week is the norm, tonight there are at least a dozen going on. It’s the ‘fete de la musique’ , organised by the French Cultural Centre, so around many venues in town the sound of (live ) music will bring the hills alive with songs they have sung for a thousand years.
Mr R and I are intending to sample some of these audio delights, and number one highlight will of course be the punk-indie-mash-up-with-the-ramones-live at Rubies wine bar… but first… to Gasolina…

Gasolina is heaving with a crowd of beautiful people (mainly French) and their beautiful children who are behaving rather like a cross between the Lord of the Flies and the Lost Boys when we arrive. Mr R admonishes one young chap who is attempting to burn the place down by waving leaves through the flames of one of the many decorative torches burning in the grounds – he smiles at us and moves his mayhem elsewhere…
A large-ish PA is set up, and the process of sound-checking is going on. I have to say that my experience of hiring sound systems and engineers in PP has not been good, certainly in the live music arena. Generally the equipment is pretty good, but the ‘engineer’ sent along with it is simply the guy who drives the gear around from venue to venue… and so it is tonight, as we are treated to howls and squeals from the PA as the engineer continues to break so many of the cardinal rules of sound mixing that I begin to think that no, this is actually pretty good, and we are witnessing the early development of Industrial music in Cambodia (eat your hearts out, Throbbing Gristle).
Then the performance starts, and the first act are really pretty amazing. A small group of guys from Mondulkiri who have moved to PP and are camped out opposite the National Assembly to protest at their land being torn from them to make way for apparently government sanctioned ‘commercial development’. They are singing about this injustice accompanying themselves on small gongs, a hypnotic, ancient sound… then they unleash their secret weapon, the youngest member. I don’t quite know how to describe this… his voice was like a cross between a kazoo and a buzzsaw, but delivered with the pitch and tone of a castrati – simply unbelieveable. Mr R commented that Andy Kershaw would have been blown away, as we were.

After that, some Japanese drummers,powerful, physical stuff,who then conducted an impromptu workshop for the kids (saving us from immolation in the process)and also jammed with a French musical collective whose name escapes me but were also pretty good. They carried on playing on their own, bringing to mind Les Negresses Verte. We had listened, drunk and eaten, so now onto elsewhere.
‘Elsewhere’, to be precise, which was deeply surreal. A cocktail lounge jazz/soft rock trio on a huge stage with lights performing ‘no woman no cry’ to a crowd of expats and wealthy Khmer kids loungingaround an illuminated swimming pool… no, I am not making this up. We had arrived near the end of their set, so it was a quick ‘fly me to the moon’ and a ‘your love is king’ where a young woman from the crowd who really, truly, believed she was Sade locked in the body of a much larger person was hauled onstage to deliver her impersonation, just too, too surreal…so off we went in our trusty tuk-tuk to Rubies – Punk rock here we come!
Well, no. Man in pork pie hat programming random tracks from a computer over the sound system here we come. Some very good music, granted, but no thrill, no threat, no Ramones live, no punk, no style… major dissapointment of the night. Sorry.
Tuk-tuk again to the final destination for us, Talkin’ to a Sranger, where we encounter the Blue Geckos. Despite the fact that I was quite beered up by now and had christened them the Grateful Undead I really enjoyed their down-homey backporch take on things and their eclectic musical choice and delivery – anyone who plays ‘tequila’ is alright by me… thumbs up for Blue Geckos.
…and so Mr R and I said our goodbyes and staggered off in opposite directions, with the memories of a pretty good evening of music behind us (no Glastonbury, granted – but warmer, drier, at least as eclectic, and pretty funny in parts), and the promise of a good night’s sleep and a Saturday spent with the hangover from hell in front of us.. just like the old days…

listening to – Tom Petty ‘Wildflowers’ (very quietly)
missing – my wife and baby, very much.

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